# Arts in Milwaukee – Colette Odya Smith – art
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Arts in Milwaukee

A Public Service Of Milwaukee Artist Resource Network

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  • “In High Spirits”In High Spirits

    Pastel over watercolor 30" x 30"

  • “Inside the Garden”Inside the Garden

    Pastel over watercolor 20" x 24"

  • “The Secret Door”The Secret Door

    Pastel over watercolor 30" x 40"

  • “Resonance 3”Resonance 3

    Pastel over watercolor 20" x 20"

  • “Awaiting Eternity”Awaiting Eternity

    Pastel over watercolor 20" x 20"

  • “Ivory Tower”Ivory Tower

    16" x 20" pastels over watercolor

  • “Radiance”Radiance

    20: x 20" pastels over watercolor

  • “Slipstream”Slipstream

    30" x 30" created with pastels over watercolor.

  • “Leafy Infusion”Leafy Infusion

    20"x20" Pastels over watercolor. Exploring the shadows in the waters of the Northwest.

  • “Lavish Light”Lavish Light

    20"x20" Pastel over watercolor. My take on the dappled light beneath New Mexico cottonwoods.

  • “Waterborne #1”Waterborne #1

    This painting is 30"x30" and is created with pastels over watercolor on 4 ply museum board. It is based on photographs taken of a clear spring near Ashland, WI. It was a whole world unto itself.

Colette Odya Smith

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artist bio

I guess I’ve always been an artist, even long before I could name myself that way. As a child I was happiest in my corner making pictures and art projects; next best was exploring outdoors or reading. I traded my cleaning chores with my brothers for the chance to tend the yard and garden.

Growing up in Milwaukee in a large working-class family, “staycations” were the norm. The Midwest’s abundant water and greenery, and yes, even its austere winters instilled in me a love of landscape, even if it was found in urban puddles and wayward weeds in cracked sidewalks. Through subsequent travel I have expanded my range of inspiration and nurtured that enthusiasm.

I attended Macalester College in St. Paul, earning my degree in Fine Art, Humanities, and Education. This was followed by a decade of teaching art in Wisconsin schools and raising two creative children while making art around the edges. It was while taking classes at the Milwaukee Institute of Art and Design that I met and fell in love with pastels and have been working nearly exclusively with them since.

For over 25 years now I have pursued this love, refining my skills and being increasingly engaged in the artistic community. I usually layer pastels over a watercolor underpainting, developing working methods that affirm the expressive range of this versatile medium. At times I may use ripped and layered surfaces, textured elements, and gold and copper leaf.

My paintings have been featured in several art publications and exhibited widely in the United States, as well as in France, Germany, and China. They have received many regional, national, and international awards. I have written articles and juried for the Pastel Journal magazine. I am particularly honored by the recognition of my artist colleagues, having been named a Maître Pastelliste by the Societe des Pastellistes de France, Master Pastelist by the Pastel Society of America, Eminent Pastelist and Masters’ Circle member by the International Association of Pastel Societies, and Distinguished Pastelist by the Pastel Society of New Mexico. My work hangs in public, corporate and private collections, including the Ming Gallery Museum of Pastel in Suzhou, China.

I feel blessed to be an artist and to be able to do this work I love. Whether painting, teaching, judging, or writing, I offer my work in the spirit of service.

artist statement

It seems to me many mysteries and miracles are lying in plain sight, patiently awaiting discovery. Such things as a fallen leaf or the clouds reflected in a still pool call out to be seen and understood. My heart knows there is more going on than simple appearance and so I feel compelled to respond and explore what lessons are there to be learned. This desire to see and understand more clearly has taken form in my paintings, moving them beyond simple depiction into expressions of what I glimpse beyond the physical.

The rocks, water, and foliage I am drawn to as my subject matter, I believe, are the material expression of structural concepts and meanings that seem to be always just below the surface, literally and metaphorically. My layering of soft pastels over watercolor addresses this idea through scenes depicting reflection, transparency and indeterminate detail.

I often obscure the customary references of horizon and atmospheric perspective. In this way easy identification of the landscape is downplayed. Context and scale become malleable. This allows a broader range of interpretations and frees me to move beyond the literal. Adding to this ambiguity, I often mix reflected imagery with solid forms, begging the question of what is ‘real’ and what is illusory. These are usually ‘realistic’ images, yet often appear as abstractions.

I love creating passages of paint where one can move without concern for naming and words. The surface is available for spontaneous meandering. It becomes a place for nameless knowing. Free association and personal response is encouraged. I hope my particular take on a scene can clarify or illuminate nascent insights for others as well as for me.

Lastly, I create these paintings with pastels and watercolor and I’m charmed to be using the same elements of dust and water that inspire me to paint.

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